ABOUT
ABOUT
Grant Anderson Design is an entertainment lighting design practice covering the worlds of theatre, music, dance, art, events, fashion and architecture.
CLIENT LIST INCLUDES
21st Century Challenges | Belgrade Theatre | Birds of Paradise | Black Light Production Services | Celtic Connections | Citizens Theatre| Dogstar | Dundee Repertory Theatre | Edinburgh International Festival | GlasGAY | iNTER itison | Lush Cosmetics | Lyceum Theatre | Macrobert Arts Centre | National Theatre of Scotland | Neil Laidlaw Productions | Noisemaker| Paines Plough | Perth Theatre | Random Accomplice | Renfrewshire Council | Roberta Jean | Room 2 Manoeuvre | Royal Conservatoire of Scotland | Sell A Door | Sleeping Warrior | Tramway | Tron Theatre | Unigram | Unique Events | Wavemakers Live
REVIEWS
“Grant Anderson’s lighting design also comes into its own, splashing the stage in vivid colours one minute and focusing a stark spotlight on events the next.” We’ll Live and Die in these Towns (Please Mind The Blog)
“The most inspired collaboration between set and lighting I've ever seen.” We’ll Live and Die in these Towns (Break A Leg)
"The use of lighting in these scenes is also extremely effective." Emily Christie on A Christmas Carol (Dundee Rep Theatre, Dundee)
“Lit with an illusionist’s eye by Grant Anderson.” Thom Dibdin on Chick Whittington (Macrobert Arts Centre, Stirling)
“We got some great lighting effects throughout which used the space to its best effect.” - Donald Stewart on One Mississippi (Fringe Review)
“Grant Anderson's pack-a-punch lighting design, highlighted the collaborative nature of this across- discipline production.” - Marianne Gunn on Chess (The Herald)
“Huge plaudits go to lighting designer Grant Anderson and designer/video designer Kenneth MacLeod for a plethora of absolutely stunning visuals.” - Gregor Dickson on Chess (Broadway World)
“Designer Kenneth MacLeod goes full 1980s hog. Grant Anderson provides a rock’n’roll lighting plan to match.” - Mark Fisher on Chess (The Guardian)
"Kenny Miller’s design, along with Grant Anderson’s lighting, look terrific." - Michael Cox on Cuttin' A Rug (Across The Arts)
“With evocative lighting from Grant Anderson to help set the tone.” - Gareth Davies on Little Red and the Wolf (The Reviews Hub)
“Lit to perfection by Grant Anderson.” Thom Dibdin on The Little Mermaid (Macrobert Arts Centre, Stirling)
“The design of Wendy Hoose, courtesy of Neil Haynes and Grant Anderson, is as creative and energetic as its leads” - Edie Ranvier on Wendy Hoose (Public Reviews)
“...brilliantly lit by Grant Anderson.” - Joyce McMillian on Hecuba (Scotsman)
“...to go alongside Grant Anderson’s wonderfully evocative lighting design” - John Roberts on Freak Show (Public Reviews)
“...bare skin sparkling in the bright cold white lighting from Grant Anderson which always accompanied their presence.” - David Smythe on L'incoronazione di Poppea (Bachtrack)
“Grant Anderson lights it all beautifully” - Kate Molleson on The Rape of Lucretia (The Herald)
“A striking and ambitious design... A visual feast of lighting... The lighting was complex and integral to the meaning of the drama.” - James Robert Ball on Sunday In The Park With George (Broadway Baby)
“Grant Anderson's lighting sensitively reshapes the stage from scene to scene, working with the projections, which include images of water and a view of Lake Ontario.” - David Barbour on In My Father’s Words (Lighting & Sound America, NYC)